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1N574NC35

by sabrinarguez

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1.
AD52 02:13
2.
U-L4W 02:14
3.
50N1C 00:32
4.
81N42Y 03:30
5.
0U7PU7 01:07
6.
K3Y 01:41
7.
8.
3X3 02:27

about

1N574NC35 is INSTANCES' twin project. A sort of remix album, most of the sound pieces were made with free music production software, however not in the way it is intended to be used.

Sabrina starts this complex process by taking the raw data from the executable files of those programmes, and transforming it into sound through databending processes. This is followed by the conversion of those sounds to MIDI to finally, backed by the use of samples and sound effects, editing and producing them on a DAW. The result is an atmospheric experimental electronic album, using the same raw data already used in the INSTANCES piano project. The input is the same, but the output couldn't be more different. That's the beauty of databending processes.

All the tracks remixed have the same name and time as in INSTANCES but written in l33t5p34k (Leet Speak), as so is the title of the album: INSTANCES and 1N574NC35 are spelled differently, but pronounced the same. INSTANCES and 1N574NC35 are a conceptual diptych, exploring the same themes through a different aesthetic.

AD52 (ADSR) and 3X3 (EXE) are two new tracks composed for the performance 'Identidad Glitch' and never released before.

Sabrina moves forward in her creative process by producing a brand-new and different sound of her glitch music. In her own words, “glitch art is not just an aesthetic, but a set of principles for practice and experimentation, where we deliberately break the rules by doing things in ways that, while some might consider erroneous, take us to unexpected and unexplored territories”.

1N574NC35 deliberately embraces glitch, error and noise as a reliable source of creative freedom.

credits

released February 2, 2024

All music & art by Sabrina Rodríguez (sabrinarguez).

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all rights reserved

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about

sabrinarguez Barcelona, Spain

Sabrina Rodríguez (stylized as 'sabrinarguez') is a multidisciplinary artist and performer working with glitch and noise artifacts, digital synthesizers, samples and experimental sound editing; researching about the mutually constructive nature of human identity and technology. ... more

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